This set was a difficult one in particular because we shot on a sound stage for both weekends, and the film itself was a comedy, which provides that most shots are completed in a wide. This makes my job particularly difficult when I operate the boom, because I always have to stay ABOVE the actor's heads, tracking them around the scene, in order to catch their dialogue and movements with the mic. When we were shooting over at Panther Productions, some of the shots were so wide that I had to sit at the top of a 25 foot ladder and maneuver from there.
Photographic Proof |
Associating audio mixing and sound design with the concept of UP has been an interesting journey for me, as I'm deviating from the concrete definitions of down and up, and delving more into the figuratives on how good audio has good levels, HIGH levels, while audio that is recorded too LOW can be muddled or impossible to work with. Especially when booming, the best quality audio comes from booming from above the actors, dangling the mic downwards towards their chest.
The struggle too comes from resisting gravity and keeping your arms up and steady enough to stay in a good position for the duration of the shot. Endurance is key, and the balance and focus that the job requires reminds me of the tactical skill necessary also for scaling a rock wall.
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